-
Continue reading →: Material, Memory, Perception; Evelyn Vonesch on Social Structures and Contemporary Practice
In this conversation, we explore Evelyn Vonesch’s practice, where personal narratives intersect with broader social structures. Moving between material, memory, and perception, her work engages with themes of visibility, absence, and the subtle tensions between the individual and the collective.
-
Continue reading →: Helen Eugster: On Her Recent Works
Helen Eugster, a Zurich-based artist, explores the concept of “negative form” through sculpture and installation. In her bronze works, she makes bodily traces visible through absence, addressing themes such as holding on, loss, and fragility. In the Watershed series, she materializes the invisible the air around the eye proposing a…
-
Continue reading →: From Painting to Installation: A Journey with Artist Gül Ilgaz / April 12, 2023
Revisited Interview Editor’s Note: This interview was first conducted on April 12, 2023 for Artnivo.com. Over time, in order to also share the artist’s current works, the final question was added later. In this form, the text preserves its existence as a record of its own period while also being…
-
Continue reading →: On Body, Limits, and Resistance: A Conversation with Leman Sevda Darıcıoğlu
Leman Sevda Darıcıoğlu is a Berlin-based artist whose practice centers on live and durational performance. Working across performance, video, and installation, their work explores the politics of time and death, focusing on the vulnerability, power, and resistance practices of marginalized bodies, particularly queer, migrant, and chronically ill bodies. In this…
-
Continue reading →: Olfactory Art: Sensing the Invisible
Author:Açelya Dursun Scent is one of the fastest and most immediate triggers in the human sensory system. As long as we breathe, smelling ceases to be a conscious choice and becomes a continuous, involuntary experience. For this reason, our relationship with scent is both intimate and unavoidable. In recent years,…
-
Continue reading →: KOLİ Art Space, “Kuir üretimin kendini yeniden yazabildiği bir karşılaşma zemini.”
Pandemiyle derinleşen politik, ekonomik ve toplumsal baskıların ortasında Elçin Acun ve Yasemin Kalaycı tarafından kurulan KOLİ Art Space, kuir ve feminist üretimler için nefes alabilecek bir karşılaşma zemini yaratma ihtiyacından doğdu. Bu söyleşi, KOLİ’nin kuruluş motivasyonlarını, kolektif dayanışma pratiklerini ve dönüşen bir off-space olarak bugün hâlâ nasıl var olabildiğini kurucularının…
-
Continue reading →: Meanings of Gathering; the first online exhibition by ArtMeant* Project
“Meanings of Gathering” is an online exhibition featuring works by artists selected through ArtMeant* Project’s open call presenting new productions that have not appeared in our previous selections. This exhibition focuses on the potential of art as a space of encounter, beyond individual artistic practices. Each artist constructs their practice through…
-
Continue reading →: Bir Hikâyeyi Fotoğrafla Kurmak Üzerine | Ci Demi ile Röportaj
“…Konuşma, duyulma, anlamaya karşı hissedilen sonsuz bir arzu bu. Semantik zıpçıktılık yapmak istemem ama bu örneği severim: Sokağı belgeleyerek bir sokak fotoğrafçısı olabilirsiniz, veya sokakta çekilmiş fotoğraflarla bir hikâye anlatmayı seçebilirsiniz. İlki sizi kamera kullanan biri yapar, ikincisiyse anlatıcı.” Sanatçı Ci Demi ile bu röportajda, fotoğrafı bir ifade biçimi olarak…
-
Continue reading →: Protoplast:Transforming Public Space into a Collective Expression
Founded in 1990, Protoplast is a long-term collaborative practice of four Swiss artists. Working together for more than 30 years, the group initially produced “imaginary products”; since 2011, they have continued their path with a new conceptual program called “artefact production.” From Basel to Madrid, from Stuttgart to Montreux, Protoplast…
-
Continue reading →: Nature as Medium: Art in Conversation with the Earth | ‘Andy Goldsworthy, Anselm Kiefer and Wolf Kahn’
Author: Açelya Dursun For much of art history, nature has been seen primarily as a source of inspiration or as a subject to be depicted. Landscape paintings, pastoral scenes, and still lifes presented nature as an external world to be observed and represented. However, with modern and contemporary art, nature…






















